Monday, June 8, 2020

City of Smoke: SYNW Book of the Month (May 2020)



CITY OF SMOKE: SYNW BOOK OF THE MONTH (MAY 2020)
A REVIEW BY ABUBAKAR SULEIMAN MUHD



Mujahid’s collection contains five short stories centering on female experiences. In each story we have a woman battling forces around her, pushing her into a marriage without her consent, or aguishly attending to the demands of her duties. The collection aptly captures the dominant issues of a typical northern home: marriage and procreation on one hand, and loveless and arranged marriage on the other. This is not only happening in the lower class strata but also in the elite circle where the rich parents decide the fate of their children; the only difference is that the children of the elite have a way of neutralizing the marriage and living it under false pretense, funcuckolding and all. 

It’s difficult to know, but the woman’s consent that Islam gives to the women seems to be only in theory in our society. What happened in the past was that some women went into loveless marriage on the pronouncements of their parents. While in the present, especially in elite and middle class circle, some women go into marriage as chattels, as commodity in exchange for the debt that their parents owe, or as some bond for some kind of material gain or business link. Stories abound like this and I believe this is what gives integrity to Mujahid’s stories.

Told in second person point of view, the first story “Questions to the Mirror” is about a nameless voice forced into an arranged marriage. She is in anguish and pain. She stands before the mirror and shoots out questions to herself regarding the possible options that she lacks.

If her society considers that marriage is not only about physical growth, as it is not only about biology as our people are wont to see, she would have been spared the pain. Marriage involves chemistry, bonding, emotional attachment and readiness. The woman and the man need to be psychologically ready for a happy and successful marriage, but it seems all the people in the stories don’t consider the feeling and opinion of the girl child. 

Why I seem to expend considerable energy railing against arranged marriage is because some people want to corner me except that I stand arms akimbo and fight them, though I am yet to see my end, lol. Nonetheless, it is not entirely bad if the spouse is one that blink in your radar and one you will still marry if you were to meet in Mars. 

“First Love” features an unnamed character whose parents are preparing to get her into an arranged marriage. She has a lover who she plans to elope with but who instead impregnates her and runs away to the city, leaving her in ruin and rubbles of her life. 

Each woman in the collection has some burden to carry, from the family being disturbed by the news of their son in Boko Haram conscription in “Leaving Borno” to a woman who is forced into violence from antagonism and tension in intermarriage between two different ethnic groups in “Dear Husband”, especially in a polygamous home.“Wingless Bird” is about forced marriage and the faith in bad luck that a woman can bring to a man. A woman is married to a man; there is no love between them. She is married to him as an article in return of material gain for her parents and the school fees of her siblings. Bad luck hits him as per his business and the man blames the woman for his mishap. 

All in all, City of Smoke captures matrimonial experiences of the female figures and their struggle in patriarchal society that thinks the first female need is marriage. The book follows in the footsteps of Zainab Alkali’s Cobwebs and Other Stories, that some matrimonial homes are some state of bondage, that women are mostly pressured into marriage, that they are infantilized and must serve as sex objects to their men. Back to back they are faced with choicelessness. In Alkali’s work, however, the women are depicted to have education as their liberation power.

One deceitful thing about this book is that the title doesn’t rhyme with the stories. I thought I would be encountering stories about burning and raging inferno and terror of Boko Haram but it is predominantly about the matrimonial battles. I don’t know why the collection is titled City of Smoke instead of some name that goes way better, maybe Wingless Bird if I may suggest.
Abubakar Suleiman Muhd
 
Abubakar Suleiman Muhd writes from Kano Nigeria. He’s a graduate of English and Literary Studies from Ahmadu Bello University, Zaria.

Monday, May 4, 2020

Ajo Enyi: SYNW Book of the Month – April 2020



AJO ENYI: SYNW BOOK OF THE MONTH – April 2020


BOOK TITLE: AJO ENYI

AUTHOR: Izunna Okafor

GENRE: Prose

LANGUAGE: Igbo

NO. OF PAGES: 117

YEAR PUBLISHED: 2015

ISBN: 978-978-485-455-6

PUBLISHER: Poner Printing Press, Nnewi.


ABOUT THE BOOK

Ajo Enyi is a fictional Igbo novel, which was partially set in a core Igbo village of Umuezike and a developed city of Lagos.

It portrays the quintessential image of the African Literature, and as the name implies, narratively describes the cultivation, germination, crops and harvest of unhealthy friendship.

Two local boys —Ifeanyi and Ifenna, —a genius and a dunce (respectively) —grew up to become accidental friends. They influenced each other, and ended up dropping pen and paper, after which they switched over to Lagos in search of quicker money.

Not only did they shift to Lagos unprepared and unannounced, their parents' savings also felt their departure.
The journey was an interesting one, but their stay in Lagos was full of adventures.

They met and roamed with like-minded folks, caused nuisance, harassed and terrorized Lagos.

Sighting his mother from a far (upon his return to the village to see his people for the last time before his execution), Ifeanyi (handcuffed and surrounded by armed policemen) ran out with tears to embrace her. 

But one of the policemen, thinking Ifeanyi wanted to escape, unprofessionally pulled the trigger and released some bullets towards him.

And expectedly, Ifeanyi fell at the feet of his beloved mother, and the people of Umuezike trooped out in response to the uncommon gunshots.

What adventurous happened to the two friends in the city? What were the crops and the harvest of their friendship like? 

Ifeanyi —caught in the city and killed in the village, what was the fate of his corpse, as his people trooped out to the sounds of the gunshot?

Ajo Enyi tells the story....

AWARDS, NOMINATIONS AND RECOGNITIONS SO FAR RECEIVED BY THE BOOK (AJO ENYI)

1. SYNW/Pita Nwana Prize for Igbo Literature (2015) —won
2. Nigerian Writers Award/Indigenous Writer of the Year (2015) —won
3. Nigeria Heritage Icon Award (2016) —won
4. LiteraNation Indigenous Book of the Month (December, 2016)
5. Nigerian Writers Award (2017) nominated

ABOUT THE AUTHOR:

Izunna Okafor is an award-winning Nigerian novelist, poet, journalist, essayist, editor, translator, publicist, Igbo language activist and administrator who hails from Ebenator in Nnewi South Local Government Area of Anambra State, Nigeria. 

He writes perfectly in English and Igbo languages, and has published several books in both languages.
Izunna has received over 25 awards, and has over 2000 articles published online, both nationally and internationally. 

He can be reached via: izunnaokafor70@mail.com

Sunday, March 29, 2020

Voices from Oja ‘Ba Market: the heartbeat of Nigeria – SYNW Book for the Month of March, 2020.



Voices from Oja ‘Ba Market: the heartbeat of Nigeria – SYNW Book for the Month of March, 2020.





BYLINE: Reprint from Subterranean Blue Poetry

TITLE OF BOOK: Voices from Oja ‘Ba Market: A Collection of Poems by upcoming Poets in Celebration of Oja ‘Ba Market

EDITOR: Wole Adedoyin

PUBLISHER: Society of Young Nigerian Writers

DATE OF PUBLICATION: 2013

PAGE COUNT: 40


“Praise the Risen Lord”
- Popular Christian Saying

This is an important work of poetry from the Society of Young Nigerian Writers, in the turmoil of politics and violence in their homeland they are practicing the craft of poetry, getting the word out and finding their truth in constructing thought waves for peace. As I go to write, I hear the song “Don’t stop, don’t stop the dance” by Bryan Ferry in the blue light of winter afternoon.

This book is constructed around the theme of the Oja ‘Ba Market (The Kings Market) the main market of Ibadan Land. Markets exist traditionally in all major centres of countries, they are places of trade, a place of food, a place of meeting, exchanging talk and information and a place of celebration of the arts, the soul of the Community. Oja ‘ba Market accommodates “traditional drummers, flutists, poets, performers, masquerades, dancers.” This book of poetry also features colourful photos of the Market and its produce and people.

Voices of Oja ‘Ba Market is published by Society of Young Nigerian Writers, an organization that “hopes to impact the community and the lives of people through Christian philosophy, arts and computer education.” Their Vision statement: “Improving all aspects of the quality of education and creating a conducive environment for the mental, artistic, social, scientific and psychological development of the masses.” Other electronic anthologies published and edited by the Society of Young Nigerian Writers (SYNW) include: Upcoming Voices, The Garden City and other Poems, Songs of Freedom, Songs of Sorrow, Young Poetic Voices from Ebiks Studio, Moonlight Songs for Pa Nelson Mandela, Moonlight Tunes, Rising Voices to mention but few.

The book of poetry begins with The Raucous and Serenades of the Market by Tenibegi Karounwi. As if a traditional song, the poetry flows “This morning is a gathering from all corners of the four winds/ On battered Lorries, wrecked vans trailed by wheeled iron coffins.” The poetry illuminates the current violence and life of the people. For style the poetry appears to have the influence of the traditional culture as well as the tenets of English Literature, particularly the Beat Poets and the Moderns. The lines are constructed with capitalization at the beginning. Occasionally the poems will have obvious rhymes, an evolution from the Postmoderns, perhaps influenced by modern rap/Hip Hop. This poem continues with a description of a dance celebration:

“In the presence of all and the bustling forest for witness

Aduke and Abeke entered into a dance contest

To know whose feet will command the best cheer

Delightfully, Aduke croons with spiteful hiss

As she daintily twirl her wrapper with a mocking tease

And Abeke rolls voluptuous waist with seductive ease

Swinging with grace and the pride of a calm breeze . . . “

Market Girl. By Obrnide Joseph Ikotun, is a poem of the thoughts of a woman who runs a market stall as she anticipates meeting her lover, “Eyes fierce and dim/ As if translating over a seam.” The excellent use of the English language (when it may be a second language) presenting mystery and intrigue in word juxtapositions in the celebration. Often in this New Age poetry, there is a stream of consciousness and new word synergies that are exciting.

There is a poem titled Boko Haram by Ubah Chetachukwu, an open letter for peace to the terrorist group, “Masses, massacred Masses, shattered Tragedy so sad to see When all that was asked to be Was to live peacefully . . . ”

Of Gangster Gods and Goddesses by Salawu Olajiobe begins “My country gods are goons/ They take the sacrifice and frighten the bearers . . .” And Political Brouhaha by Babalola Adeniyi Abraham speaks of the corrupt politics of Nigeria. The poems that reveal the violence and political condition of Nigeria are the beauty of truth, as if planting the seeds for peace in the written word.

The One in White (Eyo) by Onwuasoanya Chika Tobi is a description of a play at the market.

“Have you seen the play of Adamu?

Mortals of earth, have you seen the play,

Of Amadu Orisha?

The one in the white mask waits,

His rod stiffly in hand,

He waits in the wings of life,

Ready to take center stage,

The tall white one,


O great Eyo gogoro!

The one whose feet are ever impatient,

Whose dancing feet stirs up,

The black dust of morning in men’s heart, . . . “

Women’s themes are also present with The Praying Voice Beside the OSun River by Babatunde Idawu Enbener? (check spelling): “Again came the tiny voice from beside the peaceful river,/’Bless me mother and make me a mother.’” And Twenty Children by Aduwale Bakre:

“A tale of a score of kiddies

That they claim cannot be

Together for two decades,

“True indeed is the postulation

Of our great sagacious Mother Africa

With her third leg that shivers

And shakes as if it would break

The third leg she uses

In guiding us to the path of rectitude . . . “

As if a poem with prophesy.

The Closing Stage by Adebesin, Ibraheem Adekunle is in the exultation of “Apocalypse Poetry” with the repeated line, “I’m afraid the end-time is near” and

“See the abundant infections now afflicting us

As though newly spawned by some angered gods

See the apocalyptic disasters now daily rocking our earth . . . “

The Beauty and Power of Yoruba Culture by Adeleye Kunle is a consciousness raising about the importance of culture.

“Most people forget that a state

Without a recognized culture is

A country with no identity.”

The final poem is titled Oja Oba Market by Dalinton Joshua, is a prayer for peace and protection with the celebration of dance in poetry.

In these times of change with the miracle of the Internet, the West as well as the Second and Third World countries are experiencing a Transition Economy and violence. The discovery of peace begins with happy covenant marriages, the cornerstone for peace in Community through the discovery of Signs from God and the Holy Spirit way. Signs from God discern a happy covenant marriage, tell the truth of all serious matter, protect the innocent and create safety, peace and democracy. (see Newsletters @ Tea at Tympani Lane Records, www.tympanilanerecords.com).

This dance of poetry, like the dance of life despite adversity and violence. A prayer for peace for these poets and the peoples of Nigeria in the midst of violent times. One day we will be free!

Genre: Poetry, New Age, Black Issues

Available @
OBOOKO.
http://www.thebookreviewer.ca/BookReview.VoicesfromOjaBaMarket.htm